![]() (which I'm pretty bad at in general.) You just send audio tracks/midi tracks to their own mixer tracks and mix like normal. It's pretty much straightforward if you're just talking about normal mixing. It just seems a bit smarter to stay cheap when you're starting off, and Reaper (while ugly and maybe having a bit steeper of a learning curve,) is more than worth it imo. Certainly not bad software, and if someone's cool to pay that much then certainly. The limit on how many VST/audio/midi tracks they allow is pretty bonkers for a nearly $340 product. You want Cubase, you'd probably want "pro" and not "artist" or certainly not "elements," which is pushing $600. If you wanna buy it, then it's sub $100 for most people, particularly hobbyists. It is not by most people's standards intuitive for recording real instruments/rock/metal/etc, but I have tried reaper and various other similar software including cubase and they're all FAIRLY similar in how they function.īasically, I think it's a worthwhile option if not just for the fact that you can try it fully functioned for basically ever for free. 100% midi, and I learned how to accomplish what I wanted with FL. I don't personally use reaper because, like I said, when I started recording music it was all EDM and such. ![]() (most software has the useful stuff like basic EQ's, Compressors, and basic reverbs, but I know FL Studio and Cubase have a bunch of shit I don't ever really care to use. Most VST's that come with the software are just kinda bloat, and the actual EQ's and such that reaper comes with are a-ok and definitely useful. You can get boatloads of free 3rd party VST's too, like amps and cab sims, and probably even some half-way decent drum libraries. If you learn Reaper, you'll have a pretty decent understanding if/when you move over to most other DAW's what exactly you're trying to accomplish. The workflow is pretty similar to a TON of other good DAW's out there, and it can basically be obtained for free. ![]()
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